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BINGO spielen in Sachsen-Anhalt: Hier finden Sie die Spielanleitung und Infos zur Show, sonntags Uhr im NDR-Fernsehen, gezogen werden. Dieser besondere Preis kann in einer der drei Telefonrunden gewonnen werden. Die Erträge aus Bingo! kommen Projekten im Natur- und Umweltschutz zugute. Moderiert wird die Show von Michael Thürnau. Wird das Jackpotfeld nicht aufgedeckt, steigt der Jackpot in der folgenden Woche an. Das BINGO!-Telefonspiel Hat der Spielteilnehmer BINGO! (mind. Einfach-.

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Early house lyrics contained positive, uplifting messages for all people, from every different walk of life but spoke especially to those who were considered to be outsiders, especially African-Americans, Latinos, and the gay subculture.

The house music dance scene was one of the most integrated and progressive spaces in the s; gays, blacks, and other minority groups were able to dance together in a positive environment.

House music DJs aimed to create a "dream world of emotions" with "stories, keywords and sounds", which helped to "glue" communities together.

House record producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Some house lyrics contained messages calling for equality, unity and freedom of expression beyond racial or sexual differences e.

However, not all house music songs had vocals, and in many cases, the vocals were quite meaningless, as the most important element in house was the beat and rhythm.

At least three styles of dancing are associated with house music: Jacking , Footwork , and Lofting. One of the primary elements in house dancing is "the jack" or " jacking " — a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E.

It involves moving the torso forward and backward in a rippling motion matching the beat of the music, as if a wave were passing through it.

In Detroit during the early and mids, a new kind of electronic dance music began to emerge around Juan Atkins , Derrick May and Kevin Saunderson , known as the Belleville Three.

The artists fused eclectic, futuristic sounds into a signature Detroit dance sound that was a main influence for the later techno genre. Their music included strong influences from Chicago house , although the term "house" played a less important role in Detroit than in Chicago, and the term "techno" was established instead.

Another important and even earlier influence on the Detroit artists was electronic music in the tradition of Germany's Kraftwerk.

Cybotron's best known songs are "Cosmic Cars" and "Clear" ; a release was titled "Techno City".

In , Atkins produced the track "Techno Music" that was featured on an influential compilation initially planned to be named "The House Sound of Detroit", but renamed into " Techno!

The song " Strings of Life " by Derrick May under the name Rhythm Is Rhythm represented a darker, more intellectual strain of early Detroit electronic dance music.

It is considered a classic in both the house and techno genre and shows the connection [70] as well as the "boundary between house and techno.

With house music already important in the s dance club scene, eventually house penetrated the UK pop charts. Richards' approach to house focuses on the deep basslines.

C played a key role in early UK house. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year.

Stock Aitken Waterman SAW expensively-produced productions for Mel and Kim , including the number-one hit "Respectable", added elements of house to their previous Europop sound.

Key labels in the rise of house music in the UK included: [ citation needed ]. Early British house music quickly set itself apart from the original Chicago house sound.

Many of the early hits were based on sample montage, and unlike the US soulful vocals, in UK house, rap was often used for vocals far more than in the US , and humor and wit was an important element.

The house music club scene in cities such as Birmingham , Leeds , Sheffield , Wolverhampton and London were provided with dance tracks by many underground Pirate Radio stations.

Club DJs also brought in new house styles, which helped bolster this music genre. These labels also promoted UK dance music acts.

The UK midlands also embraced the late s house scene with illegal parties and raves and more legal dance clubs such as The Hummingbird.

While the acid house hype spawned to the UK and Europe, in Chicago itself it reached its peak around and then declined in popularity.

Tyree Cooper 's single "Turn Up the Bass" featuring Kool Rock Steady from was an influential breakthrough for this subgenre, although the British trio the Beatmasters claimed having invented the genre with their release " Rok da House ".

The early s saw new Chicago house artists emerge, such as Armando Gallop , who had released seminal acid house records since , but became even more influential by co-founding the new Warehouse nightclub in Chicago on W.

Randolph Street [76] in which he also was resident DJ from until , and founding Warehouse Records in Another important figure during the early to mids until the s was DJ and producer Paul Johnson , who released the Warehouse-anthem "Welcome to the Warehouse" on Armando's label in in collaboration with Armando himself.

It was originally founded by Jesse Saunders in but passed on to Raymond Barney in The label is regarded as hugely influential in the history of Chicago house music, and has been described as "ghetto house's Motown ".

One of the prototypes for Dance Mania's new ghetto house sound was the single " It's Time for the Perculator" by Cajmere, also known as Green Velvet , from Cajmere started the labels Cajual Records and Relief Records, the latter combining the sound of Chicago, acid and ghetto house with the harder sound of techno.

While house conquered UK and continental Europe, the scene in the U. It is argued that garage house predates the development of Chicago house , as it is relatively closer to disco than other dance styles.

In comparison to other forms of house music, garage house and Jersey sound include more gospel -influenced piano riffs and female vocals.

The Burrell's created the "New York Underground" sound of house, and they did more than 30 releases on this label featuring this sound. The emergence of New York's DJ and producer Todd Terry in demonstrated the continuum from the underground disco approach to a new and commercially successful house sound.

Terry's cover of Class Action's "Weekend" mixed by Larry Levan shows how Terry drew on newer hip-hop influences, such as the quicker sampling and the more rugged basslines.

House was also being developed by DJs and record producers in the booming dance club scene in Ibiza. While no house artists or labels came from this tiny island at the time, mixing experiments and innovations done by Ibiza DJs helped to influence the house style.

By the mids a distinct Balearic mix of house was discernible. Several influential clubs in Ibiza, such as Amnesia , with DJ Alfredo at the decks, were playing a mix of rock, pop, disco and house.

These clubs, fuelled by their distinctive sound and copious consumption of the club drug Ecstasy MDMA , began to influence the British scene.

Los Angeles saw an explosion of underground raves , where DJs mixed dance tracks. In , the L. The record went up to number five on the Billboard Club Chart, marking it as the first house record by a white Caucasian artist to chart in the U.

Dada Nada, the moniker for Ozn's solo act, did his first releases in , using a jazz-based deep house style.

The Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" One Voice Records in the US, Polydor in the UK , featuring Ozn's lush, crooning vocals and jazzy improvisational solos by muted trumpet, underscored deep house's progression into a genre that integrated jazz and pop songwriting and song forms unlike acid house and techno.

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events.

The Godskitchen superclub brand also began in the midst of the early s rave scene. After initially hosting small nights in Cambridge and Northampton , the associated events scaled up at the Sanctuary Music Arena in Milton Keynes , in Birmingham and in Leeds.

A new indie dance scene also emerged in the s. In New York, bands such as Deee-Lite furthered house's international influence. These delicious-looking candies are undoubtedly mesmerizing to no end as you delight in the slot game.

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